Luigi Paschal is been born to Macerata in 1948. He loves
the art from always, but in the maturity he only begins from self-taught its
adventure with the painting.
He attends the International academy of modern art “AIAMS”,
divenne specific Marine associate academic '“Greek” but
follows also others course
in order to acquire. mastery in the design, in order to
perfect and to deepen its and
your artistic potentiality.
Currently it lives and it works to Porto Sant' Elpidio,
dedicating itself entire to the art and taking to part to didactic
laboratories it dedicates us you to the recording.
The artist has participated to numerous personal
extensions or collective in the province of Macerata and Ascoli Piceno
beginning from 1996, riscuotendo a good ones happening is from part of the
public who of the critic. Between the last prizes you achieve yourself
signal the trophy “the palm of gold” of Palmensi (2003) and “Tandem” (2004)
of Macerata.
Skillful in the design and careful observer the artist
tries to make of ritratto ritratto “psychological”: to he they do not
interest only the features somati to us but also those of the mind therefore
stretch to define these its work like “living figures”. Sometimes the faces
represent to you are mark from the suffering from the pain and that to you
not where to be read in pessimistic key Also the works from the emotional
contained fort the” Condition or 'Albania is characterized from the presence
of an able ray of hope for emerging badly beyond every. In the first cited
painting the represented child has the look turned towards the high one
although its “condition” while in the second the mother and son, victims of
the war in spite of their pain and their desperation are still able to
support themselves mutual in I embrace. This type of works is turning out of
a pittorica activity begun years before, centralized on ritratto, in which
Luigi Paschal reveals master. After to have used a lot blood the artist it
uses the colors to oil then and those acrylic ones, since they concur it to
spread the those people quickly and at the same time they concur it to
obtain of the good effects of light on the burlap, but also on other types
of support which the iuta. Luigi Paschal reveals therefore a great
experimenter, always to the search of new shapes and executive technical new
animated from one strongly curiosity and from urla strong creativity.
The propensione for the design door the artist to the
recording (etching, acquatinta, puntasecca, black way) beginning from
1995-96. Little little the rappresentazione of the human figure not enough
more, begins therefore to try new shapes, a new language.
The first subjects of its recordings are died natures,
landscapes, soon the language become more and more essential.
Particularly meaningful the relationship that the artist
establishes itself between Luigi Paschal and Giuseppe Ciccorossi in occasion
of the extension of 1996 to Moresco (AP). Just this last one in fact will
influence Luigi Paschal and it will carry it on the field of not the
figuration. In the recordings soon the lines, the filaments become
protagonists, through which Luigi Paschal, although do not make it to
understand openly, represents a part of if same. They are filaments to read
like thin ties of the thoughts, the joys and the turbamenti of the mind.
Beginning from the 2004 artist faces one technical for new he, that one to
associate painting and words, that she will come particularly appreciated
when will participate to the extension “kept Tandem” to Macerata in 2004.
With its job, realized in collaboration of the poet Franca Bernabei, he
succeeds to adjudicate the first prize.
From this moment Paschal dedication to paintings, you
smash in, on which continuous the Bernabei poet to trace poetries in order
to fascinate the public, indeed, for dargli something more than a back or of
one simple "pennellata".
